All those ... moments will be lost in time, like tears... in rain. Tyrell doesn't see any "soul" in them because he thinking solely in terms of dollars. You're the prodigal son. After delivering this last line, Roy kills Tyrell, crushing his skull and gouging his eyes with his bare hands. For the best experience on our site, be sure to turn on Javascript in your browser. Uploaded 13 mins ago. At one point, after learning from Deckard that she's a replicant, she muses on her piano-playing skills: That's the big issue with Rachael: she doesn't know whether she's an individual or whether she has a Franken-personality, cobbled together from someone else's memories. Is a clone or a manufactured "human" just as human as we are? By creating life forms from scratch, Tyrell has basically been playing god, and when Roy approaches him asking why he can't have more life, it echoes a question a lot of people might like to ask God, or some kind of higher power. Discovering that he's attracted to Rachael, Deckard ends up inviting her over to his apartment where he sleeps with her, falls in love with her, etc., etc. Bear and Kaiser are two toy-like beings created by J. F. Sebastian to be his friends. If the movie has a true villain, Dr. Eldon Tyrell is probably it. She's a replicant, and her memories have all been implanted, copied from Dr. Eldon Tyrell's niece. But, surprisingly, when Roy finally has the chance to kill him, he prevents Deckard from falling off a building and saves his life. Revel in your time!ROY: Nothing the god of biomechanics wouldn't let you in heaven for. Now, after giving her an empathy test, he does discover that she is a replicant—but it takes way longer than it usually does. With the lead replicant, Roy, we get the sense that he's reached some great epiphany at the end of his life—he's lived more intensely than most actual humans and has earned the right to be called a human by his final compassionate act. Memories? 3 . Yet, in his final confrontation with Roy, Deckard finds himself outmatched. 0 . Essentially, at the beginning of the movie, that's how Deckard views the replicants: as tools and machines, just as the Tyrell Corporation intends them to be viewed. While he chases Deckard around J. F. Sebastian's old apartment building, it seems like Roy's going to kill Deckard—after all, Deck just murdered Roy's girlfriend, Pris. TYRELL:What..? #BladeRunner2049 BLADE RUNNER 2049 ganzer Film auf Deutsch Auf Watch Movies finden Sie eine Kollektion von spannenden Filmen jeden Genres. But Rachael shows up and blows Leon away, saving Deckard's life. Gaff is most notable for two things: he spares Rachael's life at the end of the movie, allowing her to run away with Deckard, and he leaves a silver origami unicorn behind in Deckard's apartment as a clue that he knows Deckard's dreams, which suggests that Deckard may therefore be a replicant himself. They're either a benefit or a hazard. 0 . It's an act of defiance and free will as much as it is an act of desperation, and it gets her on the blade runners' hit list, too. How can you fall in love if you're not in some sense human? He offers Roy some pat consolations, telling him to delight in the time he has: TYRELL:The light that burns twice as bright burns half as long, and you have burned so very very brightly, Roy. ", "Eine beachtliche Erfahrung, in Furcht leben zu müssen, nicht wahr? He tracks down Zhora and kills her in a violent sequence, blowing her away as she crashes through a storefront's windows. Aus urheberrechtlichen Gründen ist die Anzahl der Zitate pro Film-Artikel leider begrenzt. Initially, Gaff is a character who might seem somewhat suspect or sinister, but he ends up showing Deckard mercy—not unlike Roy, in a way. Even humans can be made with short lifespans, and we're guessing they'd also like to know exactly what it has to be that way. In the original theatrical version, the voiceover informs us that Rachael is actually a special replicant with a normal human lifespan: she and Deckard head out to beautiful expanses of natural scenery in the West, free from the suffocating squalor of Los Angeles.
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